Bibliography

Important note

  • To allow more visibility to the researchers, scholars and writers I am quoting in this exegesis, I am using the APA referencing system with a twist: I am writing their whole first name(s) instead of the sole initial letter. I find it particularly important for women who often carry the name of their father or husband. Their first name is the only name that is their own.

  • A hanging paragraph presentation is not possible in SquareSpace.

REFERENCES

Almeder, Robert, F. (2000). Human Happiness and Morality: A Brief Introduction to Ethics. NY: Prometheus Books.

Aufderheide, Patricia, Jaszi, Peter, & Chandra, Mridu. (2009). Honest truths: Documentary Filmmakers on ethical challenges in their work. Centre for Social Media and Social Impact. Retrieved from http://www.centerforsocial media.org/making-your-media-matter/documents/best-practices/honest-truths-documentary-film makers-ethical-chall

Aufderheide, Patricia. (2012). Perceived Ethical Conflicts in US Documentary Filmmaking: A Field Report. New Review of Film and Television Studies, 10(3), 362–86.

Australian Broadcasting Corporation. (1994). ABC code of practice. Retrieved from https://about.abc.net.au/reports-publications/code-of-practice/

Barry, Rebecca. (2013). I am a Girl. [Documentary]. Testify Media. Women Make Movies, TVF International.

Barry, Rebecca. (2021). The dark grey zone: ethics and power in documentary consent processes (Doctoral dissertation). Retrieved from https://opus.lib.uts.edu.au/bitstream/10453/149330/2/02Whole.pdf

Batty, Craig, & Kerringan, Susan. (2018). Screen Production Research: Creative Practice as a Mode of Enquiry. Alphaville: Journal of Film and Screen Media, 17, 215-220.

Bitoun, Oliver. (2012). Critique de Film: Chronique d’un été. Retrieved from https://www.dvdclassik.com/critique/chronique-d-un-ete-rouch-morin

Cowan, John. (1998). On becoming an innovative university teacher: Reflection in action: Reflection in action. UK: McGraw-Hill Education.

Crotty, Michael. (1998). The foundations of social research: meaning and perspective in the research process. London: Sage.

Crotty, Michael. (1998). The foundations of social Research). Sydney, Australia: Allen & Unwin.

Deigh, John. (2010). An Introduction to Ethics. UK: Cambridge University Press.

Devega, Rornald, & Woodley, Johnny, C. (2088). Ethics and War (p.2). USA: United States Army Sergeants Major Academy.

Dukas, Helen, & Hofmann, Banesh (Eds.). (1981). Albert Einstein: The Human Side. USA: Princeton University Press.

Eitzen, Dirk. (1995). When Is a Documentary?: Documentary as a Mode of Reception. Cinema Journal, 35(Autumn, 1995), 81-102. USA: University of Texas Press.

Entrican Wilson, Eric, & Denis, Lara. (2022). Kant and Hume on Morality. Retrived from https://plato.stanford.edu/entries/kant-hume-morality/

Foucault, Michel. (1983). The Subject and Power. In Dreyfus, Hubert, & Rabinow, Paul (Eds.), Michel Foucault: Beyond Structuralism and Hermeneutics (pp.208-226). USA: University of Chicago Press.

Grierson, John. (1933). The Documentary Producer. Cinema Quarterly, 2(1), 7–9.

Gross, Larry, P., Stuart Katz, John, & Ruby, Jay. (1988). Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television. UK: Oxford University Press.

Honest Truths: Documentary Filmmakers on Ethical Challenges in Their Work. Retrieved on November 3, 2022, from https://cmsimpact.org/resource/honest-truths-documentary-filmmakers-on-ethical-challenges-in-their-work/#Preventing-resale-of-images

In My Blood It Runs. Retrieved November 1, 2022, from https://inmyblooditruns.com/about/

Janke, Terri. (2009). Pathways & Protocols. A filmmaker’s guide to working with Indigenous people, culture and concepts. Retrieved from https://www.screenaustralia.gov.au/getmedia/16e5ade3-bbca-4db2-a433-94bcd4c45434/Pathways-and-Protocols.pdf

Kerrigan, Susan, & McIntyre, Phillip. (2019). Practitioner centred methodological approaches to creative media practice research. Media Practice and Education, 20(3), 211-231.

Kerrigan, Susan. (2018). A ‘logical’ explanation of screen production as method-led research. In Screen Production Research - Creative Practice as a Mode of Enquiry. Switzerland: Palgrave Macmillan.

Kissling, Elizabeth Arveda. (2002). On the Rag on Screen: Menarche in Film and Television. Sex Roles, 46, 5-12.

Kissling, Elizabeth Arveda. (2022). Capitalizing on the Curse: The Business of Menstruation. USA: Lynne Rienner Publishers.

Lanthier, Joseph Jon. (2013). Chronicle of a summer: a review by Joseph Jon Lanthier for Slant Magazine. Retrieved from https://www.shrewsburyfilmsociety.org.uk/FilmNotes/ChronicleOfASummer.pdf

Mackie, John Leslie. (1990). Ethics: Inventing right and wrong. UK: Penguin.

Nash, Kate. (2009). Beyond the frame: A study in observational documentary ethics. (Unpublished doctoral dissertation). Australia: University of New England, Armidale.

Nash, Kate. (2012). Documentary-for-the-Other: Relationships, Ethics and (Observational) Documentary. UK: Routledge, Taylor & Francis Group.

Nash, Kate. (2012). Exploring Power and Trust In Documentary: A Study of Tom Zubrycki's Molly and Mobarak. Studies in Documentary Film, 4(1), 21–33.

Nash, Kate. (2012). Telling stories: the narrative study of documentary ethics. New Review of Film and Television Studies. Australia: School of English, Journalism and European Languages, University of Tasmania.

Newell, Maya. (Director). (2019).  In My Blood It Runs. Closer Productions, Kids Films.

Nichols, Bill. (1991). Representing reality: Issues and concepts in documentary. Bloomington, USA: Indiana University Press.

Nichols, Bill. (2001). Introduction to documentary. Bloomington, USA: Indiana University Press.

Nuchi, Adah. (2017). Guide to Growing Up: Secrets, Tips, and Expert Advice on the Good, the Bad, And the Awkward. USA: Workman Publishing.

On-screen Protocols and Pathways: A Media Production Guide to Working with First Nations, Métis and Inuit Communities, Cultures, Concepts and Stories. (2019). Retrieved November 1, 2022, from https://iso-bea.ca/wp-content/uploads/2021/09/On-Screen-Protocols-Pathways.pdf

Pasha-Robinson, Lucy. (2017). Nearly half of girls do not know what is happening when they start their first period, study reveals. The Independent. Retrieved from https://www.independent.co.uk/life-style/health-and-families/health-news/girls-teenagers-start-period-menstruation-education-women-s-health-betty-for-schools-a7636246.html

Plato. (1961). Socrates' Defense (Apology). (Hugh Tredennick, Trans.). The Collected Dialogues (p.14). Edith Hamilton and Huntington Cairns (Eds.). USA: Princeton University Press.

Plato. (428 BC – 348 BC). The Republic.

Pryluck, Calvin. (1976). The Ethics of Documentary Filming. Journal of the University Film Association, 28(1), 21-29. USA: University of Illinois Press. Retrieved from https://www.jstor.org/stable/20687309

Pryluck, Calvin. (1976). Ultimately, we are all outsiders: The Ethics of Documentary Filming. Journal of the University Film Association. USA: University of Illinois Press.

Quinn, Gordon. (2016). Doc Ethics: Let Core Values Drive Your Decisions. Retrieved from https://www.documentary.org/column/doc-ethics-let-core-values-drive-your-decisions

Quint, Chella. (2021). Own Your Period: A Fact-filled Guide to Period Positivity. UK: QED Publishing.

Rughani, Pratāp. (2013). The Dance of Documentary Ethics. Documentary Film Book. London, UK: BFI.

Schon, Donald, A. (1987). Educating the Reflective Practitioner: Toward a New Design for Teaching and Learning in the Professions. Wiley.

Schon, Donald, A. (1983). The Reflective Practitioner: how professionals think in action. NY: Basic Books.

Steen, Rasmus. (2019). How do you break a taboo? You talk about it – loudly! Retrieved from https://www.mediasupport.org/blogpost/how-do-you-break-a-taboo-you-talk-about-it-loudly/

Stynes, Yumi, & Kang, Melissa. (2019). Welcome to Your Period: Your Easy, No-silly-questions Guide to Handling it Like a Boss. Australia: Hardie Grant.

Stynes, Yumi, & Kang, Melissa. (2021). Welcome to Consent. Australia: Hardie Grant.

Stynes, Yumi, & Kang, Melissa. (2022). Welcome to Your Boobs. Australia: Hardie Grant.

The MEAA Journalist Code of Ethics. Retrieved November 2, 2022, from https://www.meaa.org/meaa-media/code-of-ethics/

Vallery-Radot, Flore. (Director). (2021). Landscape [Film].

Zubrycki, Tom. (2004). Molly and Mobarak [Documentary].